Von Halabuk Family Travels to Montreux


I was lucky enough to go two years to the greatest jazz festival in the world (nay ne nay ne nay ne). Here are the reviews I've filed:

Here we see a Manhattan Transfer sing-a-like at one of the "Off Montreux" stages that run all day and night.

1997 In Review

Montreux is on the Lake Geneva shoreline (I didn't see any smoke on the water though). I did hear a whole lot of great jazz at the world's premier Montreux Jazz Festival. I didn't expect I'd ever get to Montreux for the Jazz Festival, but what timing. I knew it was coming but didn't know if/when I could get away from work. The festival runs two weeks long.

On Monday of the second week I went to the TicketCorner here and they said all the shows were sold out. So I called the hotline and they said it is sold out *but* they do sell standing room only tickets, so I took it. Turns out that there are two rows of seats not reserved and the rest behind that are standing only. I got there early and sat in the 13th row stage right. Great view and fabulous sound.

I opened up my travel guide on Monday too and started calling hotels. The first place I called had a room, so I booked it. I kept calling but could not find another room anywhere. What luck, this place was old but clean, and directly across the street from the main park and one of the jazz sites.

Oh yes, and the music. I spent Saturday and Sunday cruising between the three free jazz sites. Each one going continually from noon to midnight. There were a wide variety of styles, very well planned out. I heard big band, Latin, modern, mainstream, fusion, funk, and bebop. And every group I saw was excellent, no slouches. Every band impressed me.

They had a lot of other things going on too. There was a big yacht race, lots of food and souvenirs, constant para-gliders jumping from a nearby mountain and trying to land on the pier at the park, and a big art contest. There were lots of sculptures with a music theme all over the park. One guy even re-landscaped the parks to a very colorful theme as though they were painted. Big paint brushes drums of paint, and lots of colorful flowers spilling from these drums and brushes. Pretty cool idea. They also had jazz workshops.

Then there were the main events. They have two auditoriums each with a paid main event every night. Each one had a different theme: legends, blues, voices, funk, Latin, African ... Chick, Herbie, and even EWF.

I went Sunday night billed as George Duke with Rachelle Farrell and Jonathan Butler, followed by Bobby McFerrin.

George Duke was burning up. I didn't know Jonathan Butler was going to play with him. He was so sweet on the guitar and vocals, and very loose. Rachell has a fabulous voice and control only the greates have. The bass player and the drummer also smoked. Duke would feature a different member each tune, which was very nice as opposed to everyone trying to get his or her chops in on every tune. They played a wide variety of stuff, some classic Jonathan Butler singing guitar, to Duke's funky keyboards, to some Billy Cobham-style fusion, to some soul moving vocals, and even very soft and beautiful vocals.

While Rachell was scatting, she waived over to someone off stage to come on, and here walks Patty Labelle-Aston. They did some scatting back and forth that was cool. Then Rachell waives over again, and here comes Bobby McFerrin on stage. They were just over there listening, but didn't have to be asked twice. So Bobby takes the mic like its a soprano sax and just goes to town.

Duke did two sets. Needless to say, Duke got an encore and both Patty and Bobby joined them for that.

Then comes out Bobby McFerrin for the feature act. He has with him a nine piece vocal group (6 guys and 5 ladies). Bobby would get a rhythm started and two or three people would pick it up and continue. Then Bobby would start some harmony and get two or three others to pick that up, and eventually build up the whole group to some amazing vocal sounds. The entire creation was all ad libbed on the spot.

This was very beautiful, but every tune was the same thing and they started to sound alike. A few people (and they are not shy there) called out for some action. Then half way through his set, people started leaving! And the standing room only crowd that was boppin' for Duke was now a sitting room only crowd yawning. I thought what he was doing was nice, but I wanted to hear a variety too.

He got good ovations, but not people going crazy. For his last tune, he asked Jonathan, Patty, and Rachell to join him in one of his creations.

When they finished, they got a nice ovation and a small effort for an encore. Then Bobby walks out all alone on stage and says he normally doesn't speak during or after a performance but he felt moved to do so tonight. (Obviously he noticed the lack of enthusiasm and people leaving.) He said he wanted to explain what he was doing, simply making music. He said you don't need to have any expectations of music. And they simply created some for us.

He said thank you and left the stage. A larger effort was made for an encore, but he refused and did not return. Very weird show!

1998 In Review

This year we planned a little more in advance and secured tickets to the Hot and Funky night as well as a hotel right on the lake (still no smoke on the water was seen).

Here is the view from out hotel room.

The center of town and most of the stages are actually to the right.

The white capped Alps can be seen (not in this picture though) just across the lake.

After we arrived we promptly went to the sidewalk shops and food. Natalie then headed for the daycare where she played and painted her own Montreux T-shirt. Us adults headed for the shade in front of the stage (seen above), after a quick stop at the bar.

The next day was our big concert night: Hot and Funky featuring Tower of Power, Bootsie Collins, and Earth, Wind, and Fire. OK, so we were having a '70s flash back when we grew up on this sole (at least ToP and EWF).

First up: Tower of Power. This was the ToP's first visit to Montreux, even though the producer said he had tried for years to get them. ToP celebrated its 30th anniversary, believe it. For you ToP fans out there, they had several originals playing, including Emilio (Mr. ToP), Doc, Rocco, and David Garibaldi. And they had a singer named Brent Carter who was a second coming of Hubert Tubbs. They were as tight as ever. They played old favorites like Bump City, to classics like What is Hip, to stuff off their new record (does anyone call it a record anymore?). This concert was standing room only, no seats. Jeanette was standing in the front row and Dan was standing in the 3rd row.

Second up: Bootsie Collins. Why, we don't know. Why was he even in Montreux is the question. We were warned by the crew that the sound level was about 180 dB in the front, so we moved up to the balcony and put our ear plugs in (they often hand out ear plugs at loud events in Switzerland, always thinking of our safety). Anyway, Bootsie sings like a DJ, knows 2 chords, knows 3 words, and can't tell time. Need I say more? There was one interesting point in his "show" when the guitar player took his robe off and finished the 30-minute "song" wearing a diaper and tie. Why? Bootsie looked like Mr. Wizard, complete with the star glasses. The producer didn't let them come back for an encore since they already had run an hour over.

Finale: EARTH, WIND, AND FIRE. Maurice White and Phillip Bailey were just fabulous. The whole band had that energy flowing and put on a great show. EWF started at 1am, and since the daycare closed at 1am I ran to get Natalie and she slept in our arms through EWF (once again the only person sleeping, see Festivals). They played a little of everything, bringing back lots of memories.

Montreux was a fabulous experience. Check out the schedule and get your tickets for next year at www.montreuxjazz.com.